Hi, everyone! I would love to co-host (any want to join me?) a session demoing various data sources and mining methods for work in the digital humanities. I think this would be a great complement to sessions that explore various tools for DH.

After all, once you master the tools, where and how do you get your data?!

Discussion around:

• Sources attendees have used in the past
• Ideas for new sources
• Demos of how to use these methods
• Anything else related to DH data sourcing, mining, collecting, etc.

Looking forward to learning with you all!

Stephanie Ballard

Hi all,

Would love to brainstorm how to implement linked data on a variety of cultural heritage institutional metadata. We’ve been working on a project about artist books and enhancing with Getty LOD vocabs and would love to get a feel for how or if others are thinking about how to enhance their legacy data to be more usable for others. Some thoughts about what would be discussed:

• What to do with legacy data – what forms it takes, what is best for the objects and what is best for interoperability?
• Identifying relevant tools for cleaning and enhancing data, such as OpenRefine, Heidelberg tool?
• Relevant team members for such a project, including domain expert and metadata and systems experts – how to communicate effectively across multiple expertise backgrounds
• Balancing over- or underenhancement, particularly for works of art
• What are some ways to visualize connections and relationships between creators and artifacts?
• How can we ensure that a project is sustainable?

Maybe someone would be interested in leading a session about exploring collection data, such as Github releases (MOMA, Cooper Hewitt, NYPL), and what kinds of tools are available (Viewshare, Palladio, others.) This could be either a discussion of things people/institutions have already done or a group exploration at THATCamp.

As exhibition, publishing, and access, paradigms move swiftly to digital platforms, cultural heritage and memory institutions are compelled to collect and curate completely novel visual and art historical resources with the same breadth and rigor as they do their traditional, paper-based predecessors. Emergent tools and models for web archiving make preserving and accessing archived materials feasible, but it can be difficult to know where to begin. This workshop will demystify the process of establishing a web archiving program based on institutional needs and strengths, will expose participants to the tools and resources they need to start such a program, and briefly train them in software designed to meet their needs at their respective scales of need.

Snapshot from the Chicago Architecture Biennial 2015 Web Archive

Each attendee to this 60-to-90-minute workshop will devise a collecting scope for web-based resources vital to their institution, then work together in small groups to archive material from the live web using web archiving software. After reviewing the process and its results, attendees will be empowered to articulate the best next steps for their respective programs and propose opportunities for the further use of their web archives in data mining, exhibition, integrated discovery, and other related areas.

This workshop will be led by Karl-Rainer Blumenthal, Web Archivist for the Internet Archive’s Archive-It service and former National Digital Stewardship Resident embedded with the web archiving program at the New York Art Resources Consortium (NYARC).